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Gesualdo Translations
- after the madrigals of Carlo Gesualdo Principe Di Venosa

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Gesualdo was a notorious murder and pathological sadomasochist but this is, by my personal opinion, of scarce interest here.
He wrote the music he wrote because of he's refined virtuosity and he's atypical privilege of being prince and composer at the same time. Endowed of unlimited means and time by being he's one and only Maecenate, Carlo Gesualdo was free to go all the way he's musical fantasy suggested.
The cultural milieu played a role as well in forging his taste in dissonant intervals - for reference see the madrigals of his mentor Luzzasco Luzzaschi. If not as gracefully as those of his pupil they share all the same adventurousness in harmonic solutions .

I conceived this piece as a system of local memory. Notions and emotions could be placed inside the fourteen places of memory that it contains. All those memory places actually exist in Naples. Wandering for long days in the streets of that city it happened to me to think a lot about another excited individual of the same age and city of Gesualdo. Giordano Bruno, in a visionary prefiguration of modern information science taught he's peers all over Europe a new art of memory.
He's conception of memory places and memory images as magical attributes prompted me to locate fourteen Neapolitan places where I could place each one of the strange madrigal translations that were unfolding in my hands.

Each one of the fourteen places or "loci" is placed under the influence of one planet and contains a translation of a Gesualdo's madrigal. Each madrigal is a talisman, a magical image and an allegorical recitation. Each place and it's contained madrigal could be mirrored and revived in your memory, dear listener, as a mnemonic and magical tool.

The first memory place is the cable rail. It is well lit. Ascending . Under the influence of the Moon. Second memory place is the café. Under Mercury. Third one is the market. Under Jupiter. Fourth place of memory, the Music Conservatory. Also under Mercury. Fifth place of memory, the square. Dark. Under the influence of the Moon. The sixth place of memory is a taxi. Under Venus. Seventh place of memory is the night. No light at all. Eight place of memory, the room, reasonably lit, ceilings covered by painted paper which is tiered apart in some points. Ninth place of memory, the night club, colored lights. Under Venus and mars. Tenth place of memory, the street or the brothel. Under the powers of Venus. Eleventh place of memory, the cage of the birds. Well lit. Under the sun. Twelfth memory place, the church. Well lit. Bad sound system. Neon lights. Thirteen, the nativity scene, huge, well lit, high ceiling. Influenced by both Saturn and the sun. Fourteen memory place is the end.

Alessandro Bosetti, Baltimore, December 3rd, 2007.

Thanks John Berndt for providing a quiet and concentrate studio environment. Also thanks to Susan Alcorn, Jenny Graf, Susan Weiss, Giuseppe Sollazzo, Raffaella Morra, Enzo Moxedano.

Audrey Chen - Mezzo-Soprano.
Simon Zalevski - Harpsichord
Andrew Arceci - Viola da gamba, Violone.Alessandro Bosetti - Piano, Harmonium, Regal organ, Guitars, Oud, Banjo, Field recordings.